Thursday, March 09, 2017

Sockmonster Mk. 4

Autumn is a strange little cat.  There was no distinction in her little head between fun-exercise playing and life-or-death fighting when we first got her.  She's much less rough around the edges now, but when she's feisty, there's a bloodlust and a need for savage close-quarters combat I've not seen in a domestic cat before.  Batting a little ribbon or feather does not cut it in most cases.

In the heat of mock-battle, there's hissing and growling and grabbing and kicking and yelling.  Claws and fangs swing and chomp without restraint.  With my childhood cat, I did this kind of thing by hand, and got a little scratched up.  This one plays ROUGH - bare handed play might end in me bleeding out.  (I have seriously considered buying a falconry glove, but it would need a pretty long sleeve.)

video

By the by, it is remarkably difficult to A) record video of a cat while playing with her, and B) convince a cat to do even a very usual thing on-command.  This is the best I could get without waiting for her to decide on her own that it was feisty time.

All this brings me to my latest haphazardly-crafted object: Sockmonster Mk. 4!


This is the entire Sockmonster family line, or what's left of it.  The original Sockmonster is actually inside of Mk. 2; its skin was a much flimsier and less interestingly-textured sock, and it was the quickest to spill its (mostly plastic-bag) innards.  All but the latest incarnations have had gashes patched up with the handyman's secret weapon, duct tape.

Mk. 2 subsumed the original and added an inner skin of brown paper for extra crunchiness.  Over time the stuffing got all shoved into the end, and indeed began to get ripped out like viscera.

Mk. 3 introduced a semi-rigid spine, a nice thin chunk of plastic that would bend a bit and spring back.  I also attempted to build it with segregated internal stuffing compartments, Titanic-style, to keep the stuffing evenly distributed.  But as you may be able to tell, the mid-point is a very popular kicking target, so the spine broke and the center stuffing compartment appears to have hernia'd out.


For the fourth one, the spine is a towel rolled up as tight as I could get it.  No plastic to wear out and snap.  The stuffing is in one big tube around the spine, and of the whole thing is wrapped in a couple layers of claw-armor burlap and chompy-thick felt.

Originally, I had both ends sewn up, but the thickness and firmness of the thing made it hard to grip one-handed.  Luckily, one end was pretty weak since this whole thing was an exercise in making it up as I go, and Autumn quickly tore it open again for me.  A little stuffing out of that end, squeeze up the sides a bit and boom, handle.  Much better.  :^)  It's a collaborative process, as it turns out.

So, we'll see how this works.  As one might expect, if one were familiar with cats, now that some effort has gone into constructing a more robust Sockmonster, kitty's aforementioned interest in brutal hand-to-hand combat has begun to sharply drop off.  These days she's all about running and being chased.

I concentrated a lot on physical points of failure, but forgot that a cat toy is a failure right away if the little furball doesn't want it.  Still, we'll see.  She has her moods and phases; it may well fall into favor again one day.


Update:
She may not like the thing I spent time and effort on, but boy does she ever go nuts on this $5 grill mitt.
Another update:
We've gotten our $5 out of the mitt, but it now offers very little fang or claw protection.

Monday, March 06, 2017

How to Fix: Maddening Subpixel Font Rendering

This is mostly a note to my future self so that next time I set up a Linux machine, I don't have to re-invent this particular wheel.

Most computers nowadays, by default, display text using sub-pixel rendering.  Microsoft calls their implementation "ClearType", and I'm sure Apple has some similarly innocent-sounding name for it.  Without getting into the technical details, it's an optical illusion that, apparently, for most of the population, makes text nice and clear to read.  For me, it looks smeary, and makes my eyes continuously strain and toil to make everything all right.  They fail, and I get a mighty headache if I keep looking for too long.



Naturally, on my own computers I turn this noise the hell off.  But for a while now, there has been one niggling little hiccup where the first QT program I load (or maybe it's KDE specific, I really don't know.  All GTK and other programs are fine.) would fail to honor my very explicit settings and fall back on the default behaviour of stabbing me in the corneas.  The workaround was quick and easy, and generally if I'm at the computer I'm busy trying to do something, so I let the problem stagnate.

But in upgrading my laptop recently, I had one more little burst of attempting to figure this nonsense out, and figure it I finally did.

~/.Xresources:

Xft.autohint: 0
Xft.lcdfilter: lcdnone
Xft.hintstyle: hintnone
Xft.hinting: 0
Xft.antialias: 1
Xft.rgba: none

I don't even know which line(s) make the difference.  I just found a handful of Xft settings to try and lo, once these crunch through xrdb when the session starts, all is well.  These can go in a global Xresources file too of course.

I hope this helps somebody else, and I'm pretty sure it will at least help future me.

keywords for searching:
disable subpixel antialiasing
prevent sub-pixel anti-aliasing
qt kde first launch ignore freetype settings
why the crap do some programs use horrible blearytype font rendering
To others whose eyes are allergic to this crap but are also stuck on Windows, be warned: your Windows lies to you.  If you ask it to turn off ClearType, it will claim that it has done so and carry on smearing your text with eyeball-shredding colors.  You have to go through some crazy multi-step "Which of these looks better to you?" quiz to truly turn it off, and sometimes every one of the options presented will be using subpixel rendering.  So, as always, good luck Windows folks.