The Red Hot Chili Peppers put on a good show. The music is great, and the multimedia display is mind-boggling. The band that opened for them on this tour, however, was bad enough that I feel motivated to urge you to avoid them. The Mars Volta, as they're called, apparently have plenty of history with the Chili Peppers, but that's no justification for what they did to my eardrums. And my wife's eardrums. She was about ready to leave and hide in a nasty bathroom until they left the stage.
Edit: After hearing more about this band from a friend, I'm willing to permit that this show may have been a very, very off night. It warrants further investigation, but it does not change our first impression...To illustrate our criticism of he band's sound a bit more clearly, allow me to list some things their noise managed to remind us of:
'Nother Edit: Yeah, they sound much better on their albums. Still not really my thing, but entirely listenable. This warning post stands, however. They put on a crap show once, they could do it again. :^)
- The voice of any adult in a Charlie Brown cartoon
- "Freaky Outie", a song performed by 8-year-olds in Home Movies
- A room full of people playing Electroplankton without headphones
- Master Shake's misguided birthday song
- Family Guy's stoned talent show performance (at the end of this clip)
Each instrument was normally doing something decently musical on its own, but the band members didn't seem any too interested in what the other guys were up to. Maybe it was some high-minded eclectic design style applied to music. I don't know. But it didn't work. I suspect even the band members realize this. At one point the singer was convulsing on stage - a seemingly epileptic fit from which he unfortunately recovered, and went on to do some more shrieking.
So we had a shrieking, unintelligable singer, and instruments feuding over which song was being played, all while two bizarre images like this were shown on a screen behind them. All that was stuffed through the most irritating reverb effect I've ever heard. Somewhere around two or three hertz, its presence was, sadly, the most consistent part of the band's sound. During relative calms in the traumatic bridging progressions, there was an almost whale-like quality about the effect. As a result, I think I actually hate whales.
If I have failed in my warning to you, or if you are morbidly curious (in which case I have also failed) you may hear some of the things I apparently heard here:
The samples on the site haven't been stuffed through the aquatic reverb, nor is anything being bridged to several acoustic destinations at once, but it's still pretty hard to follow.